What Really Grinds My Gears



You know what really grinds my gears?  It's people who call me anti-Semitic when I say that Jews control the media.

First of all, it doesn't matter that most celebrities are not Jewish.  Many are, but most are not.  When it comes right down to it, celebrities don't decide what goes on the air and what doesn't.  For the most part they just read their lines.

It also doesn't matter whether all the "little people" in Hollywood are Jews or not.  What I mean by little people are the make up artists, costume designers, sound engineers, directors of photography, electricians, caterers, set designers, prop guys, boom operators, and grips.  Grips btw, for those of you who don't know are basically grunts.  They lug stuff around and set things up, and boom operators are the guys who hold the microphones above the actors heads on the end of long poles.  Man, their arms must hurt by the end of the day.

The ones I'm talking about are the people who decide what actually goes on and what does not.  That would be the producers, directors, and writers.

To get some perspective on this, Jews dominate Hollywood, yet Jews make up about 3 percent of our population.  Take off a half percent for Hasaidic Jews (the ones in the black clothes, funny hats, and beards), so that makes only 2.5 percent.  Haisidic Jews are like the Amish in that they don't mix with outsiders.  They even prefer not to mix with Jews who are not Hasaidic because they believe non-Hasaidics have been "contaminated" by us Goyim.

Some people might say I'm full of shit.  Well, I can put that to rest straightaway.  All you have to do to see that I'm right is to read the credits after any movie or TV show and you'll see by the names that I'm right.  Most of your marketers, distributors, writers, producers, and directors are Jewish.  Not all, but most.  And for the ones who are not Jews, they still have to go along with things if they want to keep working.  That means they get with the Jewish agenda or they are out.

Like I said, there are some exceptions, but that's probably deliberate as well.  If there are some exceptions, they can point to those exceptions and say, "No, we don't control everything.  Look at this show, and that show.  They aren't run by Jews."

That's true.  There are some exceptions just so the Jews can point them out and say they aren't run by Jews.  But that's part of their plan.

And it's not just the shows themselves - it's the TV stations and networks that air them.  The following are FACTS, not bullshit, and were written by J. Eisen - an Israeli Jew born in America:


At mighty Paramount, the controlling stockholder is Sumner Redstone (real name Murry Rothstein). Head of the studio is Jon Dolgen. Head of production is Sherry Lansing--all members of the tribe.

 
At titanic Disney, the CEO is Michael Eisner, the world's most assimilated Jew, who might as well be a Presbyterian. Deputy head is Michael Ovitz, karate champ but also a Jew. Head of the studio is Joe Roth.  Walt Disney must be spinning in his grave over this.
 
At newly energized ICM, the top dogs are Jeff Berg and Jim Wiatt. At still overwhelming CAA, Jack Rapke and other members of the Tribe dominate. At William Morris (the theatrical agency), Jon Burnham and other Jews are, by and large, in the power positions.
 
This has always been true in Hollywood. The ex-furriers who created Hollywood were Eastern European Jewish immigrants, and all of the great edifice of fantasy-making in Hollywood is their handiwork. Names like Zukor and Lasky and Goldwyn and Cohn are the foundation of mass culture in America and the world.
 
There is a much quoted note that it took all these Eastern European Yiddish-speaking Jews to create the lasting, worldwide image of America and what America is--the mass culture mirror that America likes to hold up to its face.
 
This thought is made concrete by the simple line at the beginning of Gone with the Wind that it is "A David O. Selznick Production." It took a Selznick, married to the daughter of a Louis B. Mayer, working with a Thalberg, to create the ultimate vision of romantic America--the antebellum South.  [Yeah, like a non-Jew could have never made that movie - BULLSHIT TO THAT. - Dan]
 
It took a Jew--Leslie Howard--to play Ashley Wilkes, the bedrock image of what a perfect American gentleman is supposed to be.  [You mean Mr. Eisen, it took a Jew to play what a perfect American gentleman is supposed to be according to JEWISH standards. - Dan]
 
You can take it from the studio level, where probably the most powerful man in town is of the Australian faith--one Rupert Murdoch by name. Murdoch, no one's idea of a Jew, controls a major studio, a major broadcast network and the largest aggregation of TV stations in America.
 
The head of programming at ABC is a full-on gentile, Ted Harbert. The owner and head of production of what has become the Tiffany studio, MGM, are Kirk Kerkorian and Frank Mancuso, also not members of Temple Israel.  [These are some of the exceptions I mentioned earlier. - Dan]
 
It is certainly true that there have always been goyim in Hollywood.  But it's the Jews who dominate it for the most part.

If something is true, it cannot be racist.  There is no doubt about it.  It's a fact, not racist bullshit.  Jews have, and have always been in charge of Hollywood.  So when I say Jews run Hollywood I'm not full of racist shit.  I'm speaking the truth.

That's what grinds my gears this week.

Dan 88!

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